johnke.meI want to insist on an amateur internet; a garage internet; a public library internet; a kitchen table internet. At last, in 2023, I want to tell the tech CEOs and venture capitalists: pipe down. Buzz off. Go fave each other’s tweets.
With the implosion of Twitter and the move towards Mastodon and the federated web, the internet of late 2022 is feeling more and more like the internet of 2002: ours.
A wonderful deep-dive into a tiny, tiny moment that had a lasting impact. I also love that as well as interviewing game developers and critics, they also spoke to people like Katie Mack and Yanis Varoufakis.
This is a wonderful essay about Everything Everywhere All At Once’s portrayal of masculinity. I hadn’t consciously picked up on Waymond’s lack of a character arc, but it makes so much sense.
Also EEAAO (as no-one is calling it) was unexpectedly one of the best films I’ve seen so far this year. If you’ve been putting off watching it, please do check it out.
I was watching Thief the other night and couldn’t get over how James Caan (RIP to a real one) was only 41 in that film but looked so much older. This is a great explanation of why that is.
Bo Burnham has put up an hour-long video of the outtakes from Inside. But it’s more than just your usual outtakes – some of it is really cleverly done. Like showing all the takes of a song all at once, and turning off the unused takes as he messes up, so that at the end it’s like a Super Meatboy level replay and you’re just left with the take he used in the final film.
I wasn’t originally taken by Inside (although this might have been overly harsh because of, you know, everything) but I really appreciate the amount of work he put in.
A solid list. If you’re just getting into board games, this is a great place to start.
When you make a movie, always try to discover what the theme of the movie is in one or two words. Every time I made a film, I always knew what I thought the theme was, the core, in one word. In “The Godfather,” it was succession. In “The Conversation,” it was privacy. In “Apocalypse,” it was morality.The reason it’s important to have this is because most of the time what a director really does is make decisions. All day long: Do you want it to be long hair or short hair? Do you want a dress or pants? Do you want a beard or no beard? There are many times when you don’t know the answer. Knowing what the theme is always helps you.
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I remember in “The Conversation,” they brought all these coats to me, and they said: Do you want him to look like a detective, Humphrey Bogart? Do you want him to look like a blah blah blah. I didn’t know, and said the theme is ‘privacy’ and chose the plastic coat you could see through. So knowing the theme helps you make a decision when you’re not sure which way to go.
Spaceship!!
Moog have launched a really cheap (well, for Moog), build-it-yourself, semi-modular analog synth and the reviews have been pretty great so far.
Many people don’t want to [quit Twitter] because they worry: without my Twitter account, who will listen to me? In what way will I matter to the world beyond my apartment, my office, my family? I believe these hesitations reveal something totally unrelated to Twitter. I don’t have words for it, exactly, but if you find yourself fretting in this way, I will gently suggest that it’s worth questing a bit inside yourself to discover what you’re really worried about.